Dumbarton Oaks
In my studio, Stravinsky is playing. A short chamber music piece – about 18 minutes long, I believe – which he composed on commission from two American patrons of the arts. The music piece is named after the estate of the patrons: Dumbarton Oaks. And, as always with Stravinsky, it’s in yet another style and at the same time unmistakably ‘Igorian.’
The canvases in the Dumbarton Oaks series are painted and worked in various ways: hanging on the wall, lying on the ground, sometimes on the easel.
In my studio, Stravinsky is playing. A short chamber music piece – about 18 minutes long, I believe – which he composed on commission from two American patrons of the arts. The music piece is named after the estate of the patrons: Dumbarton Oaks. And, as always with Stravinsky, it’s in yet another style and at the same time unmistakably ‘Igorian.’
The canvases in the Dumbarton Oaks series are painted and worked in various ways: hanging on the wall, lying on the ground, sometimes on the easel.
Dumbarton Oaks II, 2017
Acrylic on canvas
200 × 200 cm (78 × 78 inches)
Sold
Acrylic on canvas
200 × 200 cm (78 × 78 inches)
Sold
